As a darkroom artist, my work begins with the camera but culminates in the print. I utilize both traditional and experimental techniques to transform the photographic image into a new reality. Through processes such as Chromoskedasic Sabattier and Mordançage, alongside masking and collage, I deconstruct and reassemble elements from multiple negatives. The result is a single, constructed moment—a memory that never existed—that transcends the individual source photographs and exists as a new singular vision.